A Season of Portuguese Cinema

The 2025 edition ran across the autumn at the Moviemento in Kreuzberg, with screenings every Monday and Thursday followed by conversations, a glass of Port wine, and the occasional pastel de nata. Twelve films spanned drama, documentary, animation and docufiction, from Portugal and the wider Portuguese-speaking world.

A live music session at the Moviemento

Opening night set the tone with live music, a concert by A Panda do Sol and Pól Silva that had the whole room warming up before the screenings began.

A packed room at the Moviemento

The programme opened with Basil da Cunha's Manga d'Terra and included Miguel Gomes' Grand Tour, Margarida Cardoso's Banzo, and Denise Fernandes' Hanami, among others. Many of the filmmakers joined us in the room to talk with the audience after the lights came up.

Falcão Nhaga signs the poster for Sabura

Falcão Nhaga travelled to present his short Sabura, and Margarida Cardoso came to introduce Banzo, her return to the long shadow of colonialism.

Signing the poster for A Flor do Buriti

Renée Nader Messora and João Salaviza brought A Flor do Buriti, which they co-directed, carrying the voices of the Krahô people to the Moviemento screen.

Filmmakers and guests after the screening

Grand Tour arrived with its producer, Filipa Reis, and Raquel Freire came to present Mulheres do Meu País.

Guests gather for a toast during the festival

A special session marked the centenary of the writer José Cardoso Pires, with a screening of Sombras Brancas introduced in person by his daughter, Ana Cardoso Pires.

A post-screening talk in front of the Moviemento screen

João Miller Guerra and Filipa Reis came to present Légua, which they co-directed.

A director signs the poster for O Bêbado

To close, André Marques presented O Bêbado, one more filmmaker in a season built around the conversations that followed each screening.